*SOLD* The Simpsons House Original Background E7295
  1. Framed
    + $145
  2. Deluxe Framed
    + $210

*SOLD* The Simpsons House Original Background E7295

Item #FCGE7295

SOLD OUT

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Product Description

*SOLD* This is an original hand painted production background used in making an episode of "The Simpsons". Episode BABF22 title "HOMR" January 7, 2001. When the Simpson family visits an animation festival, Homer discovers Animotion, a motion capture technology that enables a real person to control a cartoon character with his or her own movements. Homer volunteers to demonstrate this technology and likes it so much that he invests his life savings in the Animotion stock. In the episode, while working as a human guinea pig (to pay off the family's lost savings after making a bad investment), Homer discovers the root cause of his subnormal intelligence: a crayon that was lodged in his brain ever since he was six years old.

Image Size: 10.5" x 12.5"

Framed Size: 18" x 20"


Shipping Information

Framed Unframed
Shipping to the Continental United States or Canada $35 $25
Shipping to the United Kingdom, France, or Germany $150 $95
Shipping to Australia or New Zealand $150 $95

For any other shipping locations, please contact us for a custom quote.

All prices in US Dollars


Original Production Cels

Production cels are the one-of-a-kind original cels that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate, and has been photographed over a background painting to create a frame of the finished production.

Production cels are highly sought after by collectors, with very rare pieces from the early days of animation fetching prices in the tens, and even the hundreds of thousands of dollars. See Why So Few Vintage Pieces Have Survived for more information on the rarity of early production cels.

Production cels from the 1980’s and 90’s are available at considerably lower expense, but The Move To Computerized Animation has severely curtailed the supply of new artwork in the market, and has put upward pressure on prices of what is still available.

Production cels from the same film, or even the same scene, can have significantly different values depending on their desirability to collectors.


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